Monthly Archives: May 2014

Musical Chairs

Musical Chairs

by Sherry Campbell Bechtold, Published in Florida weekly, March 2014

One week a month during Symphony season, Maestro Raffaele Ponti is in town, scurrying about from elementary schools working with third graders, to civic meetings, and teaching classes at the Renaissance Academy, along with all his other orchestra business.

On the weekend, the Orchestra rehearses for its Sunday concert.  At around 12:30 on Saturday, the kids arrive. They are there because of the instrument they play and their love of orchestral music.  Many come with a parent or teacher, some older students might be alone.  There may be a half dozen, or ten, or more.  They come without their instruments because this is a time for observation, for listening, for watching.  These kids are some of the many whose lives are being directly affected by Maestro Ponti, the Orchestra’s Executive Director Regina Buckley, and the many volunteers who carry out the Orchestra’s new educational initiative, the “Symphony Kids”.  This monthly rehearsal experience is called “Musical Chairs”.

Maestro Point initiated the program to provide up close and personal time on the stage, seated in the section of the student’s interest, next to a professional musician, as the Maestro conducts a rehearsal of music that will be played in the following evening’s concert.  Even though a student may have performed in his or her own school concerts, Musical Chairs is a unique opportunity to be a ‘fly on the wall’ as the Maestro and Concertmaster mold and shape a symphony, concerto or overture.

They are met by a volunteer of the Orchestra, whose role is to check them in, place their name tag with the designated section, talk about what is going to happen and hopefully work out some nerves.  By this point in the season, many have been here before.  They know the drill.  At the next rehearsal, there will be an added treat – violist Paul Urbanick will be giving a brief introduction to the music being rehearsed, suggesting specific things to be listening for and perhaps even some challenges musicians face in preparing the piece for performance.

Just before 1:00, everyone is brought onstage and the Orchestra Stage Manager escorts everyone to their assigned seats.  Some will be tucked in with the Brass, some with Wind, some with Strings and even sometimes Percussion. Getting seated before Maestro takes the podium at exactly 1:00 PM is critical – the orchestra rehearses only Saturday and Sunday before performing on Sunday evening, so there is no time to waste. Almost immediately, Maestro is in place, and indicates a start point. The students land somewhere in the vast landscape of the composition and away they go.  There are stops, suggestions, corrections. Maestro asks for more from the violins, less from trombones, a lighter touch from percussion. Listening, we all can hear the music refine and blossom, on its way to become what a full audience will experience just a day later.

Sometimes, it’s extra special, like in February when Robert Bonfiglio joined the orchestra onstage to prepare the Villa-Lobos Harmonica Concerto.  Here is the greatest Harmonica player in the world, in his jeans and sneakers, collaborating with our very own Maestro and our very own Symphony Orchestra.  Creating, exploring, having the time of their lives.  And, these kids are right there with them. No formality here.  No tuxes. No big audiences. Just musicians doing what they love to do. What an inspiration to young minds!  What a thrill for all of us who were there that afternoon.

When the Orchestra stops for a break, the kids gather in the front row of the audience seats where Maestro Ponti meets with them.  He asks them “what did you think?”  “how did the music make you feel?”  And on this particular day, “did you ever think a harmonica could sound like that?”  He is so enthusiastic and engaging, even the most shy among them speak up “it made me feel happy” “excited” “it made me think”.

On this day, Bonfiglio wants to play too and comes down to visit the kids. He charms everyone with stories about living in New York City, playing harmonica, traveling around the world. Parents are gathered around too, with questions of their own – but they take the back seat to the kids.  It really is all about them today.

Ask Maestro Ponti, on any day, about his commitment to our youth and future musical culture.  He’ll be delighted to talk about it:

“The best way to teach and inspire is to demonstrate and involve the students….mentoring is the most effective way of demonstrating and inspiring our future musicians. Being enveloped in the wonderful sound of the orchestra is an amazing experience. Musical Chairs lets students experience a perspective of the Orchestra that not even the audience can understand. My hope is that kids run home and practice!”

And, what do the Musical Chairs’ participants have to say?

“I really enjoyed sitting with the brass section and appreciated the opportunity to learn from the masters.  It was very exciting…I hope to be able to attend this kind of rehearsal again sometime soon” said Allison Deal, trumpet player and student at L.A. Ainger Middle School.

Good Shepherd Day School student, Luke Peterson sat in the trumpet section and commented that it was “amazing”.  His mom, Kathryn, wrote that Musical Chairs “was a great success for the children and parents alike.”  And further, this program “will most certainly be a positive influence in our young musicians’ lives.”

Some just say, “that was cool!”

On Saturday, March 22, they will be doing it all again!  Music teachers and parents are invited to sign up their young musicians to participate in Musical Chairs simply by contacting the Charlotte Symphony Orchestra in Punta Gorda, 941 205 9743.  This month, the Orchestra will be performing a TRIUMPHANT finale to an incredible season.  On the program is von Suppe, Stravinsky and Hanson.  And, they will be there on Saturday to give Symphony Kids a preview of the concert – up close and personal

Please follow Symphony Kids on Facebook :

https://www.facebook.com/pages/Symphony-Kids-Charlotte-Symphony-Orchestra-Punta-Gorda-Florida/1444912289077300

Charlotte Symphony’s Youth Concert

by Sherry Campbell Bechtold, Published in FLORIDA WEEKLY, May 15, 2014

Something wonderful happened on Friday morning in Punta Gorda!

It’s Friday, May 2 at 9:30 AM and the kids are already sitting on the lobby floor at the Charlotte Performing Arts Center. Out front, more cars and school busses are lined up, continuing to deliver their precious cargo of third graders from all over Charlotte County to our welcoming group of volunteers.

They are here for the event that Maestro Raffaele Ponti has been talking about for months: The Charlotte Symphony Orchestra’s Young Peoples Concert, “Where in the World is the Orchestra?”

All season, each week before the scheduled concerts, Maestro Ponti and Charlotte County Public School’s Ellen Harvey, the powerhouse behind this whole program, have visited third graders in every school, leading an exciting music and art class. Students were introduced to the music of Tchaikovsky’ FIREBIRD SUITE and Beethoven’ FIFTH SYMPHONY, and encouraged to draw images inspired by what they heard.  In every class, Maestro talked about the concert they would be invited to attend in May – a concert just for them, the Symphony Kids of the Charlotte Symphony Orchestra, more than 1200 of them!

And, now the day has arrived and they’re here!

Inside the lobby, samples of the kids’ artwork produced during the weekly classes line the walls and onstage, there is a slideshow featuring photos of the young artists at work runs continuously.

I was lucky to be part of the team during the past few months, going to each school, watching Maestro at work, the kids enthusiastic response to the music, this opportunity to create. Today, my job is to do whatever is needed, meet and greet, do an errand, help in any way I can to see that things go smoothly.  Truly, I simply could not be elsewhere. I am as excited as anyone to see all this planning and work come to its promised culmination!

Standing at my post at the concert hall door, directing students, teachers and chaperones to their designated seats, I get to see faces light up, the “whoa”, “wow”, “cool” as kids take it all in. Everything is so well organized, the house quickly fills and crackles with energy – the kids catch glimpses of their photos in the slide show, watch the musicians as they take their places, admire the stage, the high ceilings, the beautiful theater, all chattering away.

The time approaches for the Concert Master to enter, and I notice the teachers begin to raise their hands in the air – a universal signal for order.  Quickly the visual cue is picked up and spreads throughout the room; several hundred exuberant 8 and 9 year olds dial it down. On stage, Ellen Harvey requests silence so the orchestra can tune.  And silence she gets.

The Concert Master takes his seat and two students come forward, welcoming the audience and introducing Maestro Ponti, emerging to a rally of applause rewarded with his broad, winning smile and a sweeping wave. He takes the podium and raises his boton. It is‘magic time’.

The orchestra bursts into John Williams’ theme from STAR WARS and the audience is hooked.  Following, a brief ‘show and tell’ describing sections of the orchestra – strings, wind, brass and percussion – including some entertaining snippets of familiar tunes, a little fancy showmanship from the Concert Master, menacing drums, another theme from STAR WARS.

Maestro chats casually with his eager audience about the classtime he and his “Symphony Kids” shared back on their turf, at school. He reminds them of wild images evoked from Stravinsky’s FIREBIRD, the composer’s Russian heritage and his flashy style.  As the orchestra begins to play the piece now, they stir with recognition.

The musical tour continues to France and Spain represented by – Toreador from Bizet’s CARMEN, three dances – Russia, Arabia, China – from the NUTCRACKER. Then, the United States with Copeland’s RODEO, an original Latin piece by local Barbara Goldberg, beautifully orchestrated by our own George Mancini. Bringing us all back to our time together in the schools, Maestro announces “We’re going to Germany now.  Do you remember Ludwig von Beethoven?”  They do.  He sings: “DOT DOT DOT LINE!” then asks them to it sing with him.  Oh yes, they remember it well – the other big hit they listened to while creating their works of art, starting with only …___ !

This is an audience from heaven. Enthusiastic, captivated, appreciative, open, responsive. A performers dream. I perch in the top row, watching heads bobbing, young feet tapping, shoulders keeping rhythm, and then finally, as Maestro strikes up Sousa’s STARS and STRIPES FOREVER, hundreds of clapping hands!

My friend Nanette Crist whispers in my ear, “This is so wonderful I feel like I could cry.”  She’s right.  It is SO wonderful. All these young people experiencing a live performance, in a beautiful concert hall – many, if not most, for the first time. A youthful, vibrant Maestro who has touched their lives personally, timeless music they can relate to outside the realm of transient pop, surrounded by adults who are there for them, investing in their growth and development. THIS is how we create a better world.

We folks who live in Charlotte County have a good thing going, for sure.  One of the best things we have going is our Charlotte County Symphony and the partnership it has with our Charlotte County Schools.  This particular program was also made possible in part by a grant from the Florida Division of Cultural Affairs.

The long awaited concert comes to an end and spirits are high.  I can’t help but think that one of these young ones will someday be playing on this very stage, or in Carnegie Hall, or teaching a class.  Maybe that Symphony Kid will say “It all started one Friday morning in May when we went to hear the Charlotte Symphony play for all of us kids”.